A Story of South Asian Art review – banging sculpture marred by dreary neighbours

The recent review of the South Asian Art exhibition at the Royal Academy in London highlights the striking works of Mrinalini Mukherjee, whose sculptures draw on Indian folk and sacred art. However, the review points out that these captivating pieces are overshadowed by less impressive neighboring works, detracting from the overall experience. This matters because it raises questions about the curation of art exhibitions and how the context in which art is displayed can significantly influence audience perception.